1. moving targets
what goes here
where everything emphasised
sun barely fitting through
(how to de-advertise?)
______if buying surprise
__________________((this shortlived)
how to not be irritated?
is it we’re more ourselves
___________________-'outside',
in writing? _________(these super-questions…)
we keep interrupted
keep cold
sometimes we let the world/room fall away,
_________________________disappoint
the ‘better’ word is patient & waits
__________________________(despite this)
we jump state
2. unopened
_____________________we’re old nouns
but softcopies also
_____-our heads slip in the wet
(this the sleep between the shell of the seed)
we cross a ravine by way of a fallen pine trunk,
still panicked by multiple senses of ‘lie’
_______-& ‘yes’
___________a chance to re-read
______________ourselves
__so far
______we know only a few basic words
____________of this other language
_____________________________we are making.
3. filmic glow
we bend the light, pack it down
that constant act,
_____________consumables,
technology’s very joke
when the day melts,
__________________-tired of ideas,
___________-spills easy complaint
we love & hate poets as they love & hate
________________-(truth arrives late
______________________________little-known)
these works we forever talk of writing, but never
_____________________________-deliver
‘truly major motion picture’,
__________-how we feel after that
_______________________film nursing / injuring
________________this has been... needing
________________to happen
____________to us
Sunday, March 09, 2008
three unfinished pieces (2008)
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